Precise drawing applied to highly abstract or stylized geometric patterns, using a rich and varied palette.
Soumaks are flat woven rugs. Their technique is related to that of Kilims, but it is somewhat more complex.
It is more durable as floor covering. As opposed to Kilim technique which consists of compacted weft facing simply running over and under the vertical wraps, Soumak weave runs the yarns around the warps in a serpentine pattern, over two, back one, over two back one, and so forth.
The design large polygonal medallions, often in the shape of diamonds or stars.
The production of Hooked rugs began in the 1840s. Measures: 3.3" x 4.9". The materials consisted of linen, flax, hemp, and eventually imported Indian jute. The most common design found in the earliest rugs was floral, expanding to include scenes and even an images of peoples’ pets. Hooked rugs have a variable pile, depending upon the lengths of yarn used, and the designs are increasingly complex. These rugs are flat on the bottom and not reversible. Hand made by housewives and local craft makers, American hooked rugs are folksy works of art that are functional too.
This wonderful Art Deco carpet was made in China, circa 1920s. Walter Nichols was great American rug producer (the Art Deco rugs which he did not originate them) in Tientsin. The rugs made of wool and silk with bold vibrant colors and the pattern are pictorial scenes and trees, birds, clouds, mountains, dragons, butterfly and flowers. The production of Art Deco rugs started from 1910s-1950s and mostly with western influence.
The Iranian city of Isfahan has long been one of the centres for production of the famous Persian carpet. Isfahani carpets are known for their high quality. The most famous workshop in Isfahan is Seirafian. Weaving in Isfahan flourished in the Safavid era. But when the Afghans invaded Iran, ending the Safavid dynasty, the Craft also became stagnant. The high knot density antique carpets in which Isfahan excelled continued to be woven in the late 19th and 20th centuries, maintaining the original inspiration and attention to refinement and detail.
Striking Antique Kermanshah rug, c-1880. Pictural scene of three of life surrounded with birds and fish trees and plants.
The rug has a very fine weave and pleasant colors.
Kirman was a very important antique rug weaving center dating from the Golden Age of Persian culture under the Safavid Dynasty in the 16th century, on a par with Tabriz and Kashan in esteem. The color palette of Laver Kirman antique Persian rugs is unusually soft and delicate with a European grace.
The Baluchi people where a tribe of nomads that migrated from region near the Caspian sea to the area of southern Soviet central Asia, Afghanistan Khorasan province of Iran and Pakistan and they speak Persian Farsi language. Their rugs display color and structural features that are more akin to Turkoman weaves and yet designed like Caucasian and Persian rugs. Their wool is lustrous quality, we can see this Fine quality in this Belouch rug and it design known as Mina Khani and the weave of this rug should tell that the Balluchi are also great weavers.
The Baluchi people where a tribe of nomads that migrated from region near the Caspian sea to the area of southern Soviet central Asia, Afghanistan Khorasan province of Iran and Pakistan and they speak Persian Farsi language. Their rugs display color and structural features that are more akin to Turkoman weaves and yet designed like Caucasian and Persian rugs. Their wool is lustrous quality, we can see this Fine quality in this Belouch rug and it design known as Mina Khani and the weave of this rug should tell that the Balluchi are also great weavers.
The source of this important provenance has been in the village of Sarouk. North of Arak (formerly Sultanabad). Sarouks are known to be of high quality. The pile is usually higher than the average Persian rug and therefore Sarouks are rather heavy and solid rugs, the wool being used is high quality durable wool. "Mohajeran" or "Mahajiran" is the name of a village West of Arak.