Unusual Pictural Oushak Rug. Greek mythology story. Probably Armenian Rug.
Antique Turkish Oushak rugs have been woven in Western Turkey since the beginning of the Ottoman period. Historians attributed to them many of the great masterpieces of early Turkish carpet weaving from the fifteenth to the seventeenth centuries. However, less is known about what happened to production there in the eighteenth and early nineteenth centuries. When things become clearer toward 1900, the Oushak region re-emerges as a major center, this time for room-size decorative rugs.
The Iranian city of Isfahan has long been one of the centres for production of the famous Persian carpet. Isfahani carpets are known for their high quality. The most famous workshop in Isfahan is Seirafian. Weaving in Isfahan flourished in the Safavid era. But when the Afghans invaded Iran, ending the Safavid dynasty, the craft also became stagnant. The high knot density antique carpets in which Isfahan excelled continued to be woven in the late 19th and 20th centuries, maintaining the original inspiration and attention to refinement and detail.
The Caucasus is bounded by the rugged mountains and lush valleys of Armenia, Azerbaijan and Georgia. This cultural melting pot was populated by Armenian dyers and weavers, Azeri Turks, groups from the Northern Caucasus and minorities from the surrounding areas. The Kazak rugs of the Caucasus are distinctive and individual. Geometric people and animals, symbolic motifs, dramatic medallions, crenelated fence borders, angular cloud-bands and graphic latch hook
Colorful and dramatic Kilims (kelims) were produced by both villagers and tribal nomads in Persia. Slit tapestry predominated among Azerbaijani, Shahsevan and Ghashghai weavers, while some Kurds and others in western Persia used interlocked tapestry. These all typically have clear coloring and bold patterns.
The material probably, made from Llama wool fibers (South American camel), is woven with unique technique, designs and drawings which are taken from Asian and Middle East kilims. These kilims also used as coverlets .
From point of quality view, Lama’s fibers are finer and tinier than sheep wools . They are not smeared with any kind of wool fat (lanolin-existing animal fat on the sheep skins).
The technique in Peruvian Kilims is using pairs and parallel warps and weft . Its designs and drawings are created by weaving the colored woofs between cream colored wraps.
The district of Shirvan produced many highly decorative antique rugs that have complexity that is found in few rugs from the Caucasus. Shirvan, which is part of modern-day Azerbaijan, was populated by Azeri Turks and some Armenians, who were expert dyers and weavers.
Grand symbol-filled medallions with polychrome accents are featured prominently as are all-over Afshan patterns, which are a sort of angular arabesque filled with dramatic harshang palmettes. Stunning allover patterns featuring symbolic devices and a latticework of angular floral sprigs are also used.
A subtype of the Kuba rug, antique Seychour (also known as Seichur and Zeychour) rugs are made in the small town of Yukhari-Zeykhur in Azerbaijan in the Northeast Caucasus. Known for the detailed precision of their drawing and design as well as for their saturated colors, antique Seychour rugs popularly display designs such as cabbage rose, tulips and the Seychour cross. Differing from other Caucasian rugs, antique Seychour rugs do not share the same symmetry in their borders.
