An antique Amritsar carpet that was woven in India around the turn of the 20th century. Characterized by beautifully precise line work as well as a charmingly muted pallet of pale pink and gold, this Amritsar carpet exemplifies some of the finest qualities of the style. Classically composed, this Indian carpet features beautiful border sections as well as a generously proportioned field. A bare band of pale ivory surrounds the perimeter of the piece, its simplicity a lovely contrast to the complexity that characterizes the remainder of the composition.
Feraghans were made between the 1870s and 1913 from a region north of the town of Arak, produced for the Persian aristocracy. They are single wefted, long and narrow or room-sized carpets, typically with an all-over Herati design or floral and curling leaf motifs. Feraghan-Sarouks, also called Sarouks, are double-wefted, heavier carpets with a higher knot count than village Sultanabads. Fields are often blue or ivory and designs typically feature either large medallions or representations of trees and birds.
A pair of French Aubusson door-window panel.
Tapestry manufacture at Aubusson and in the upper valley of the Creuse in central France.
They have developed from looms in isolated family workshops established by Flemings that are noted in documents from the 16th century.
The town of Felletin is identified as the source from which came the Aubusson tapestries in the inventory of Charlotte of Albret, Duchess of Valentinois and widow of Cesare.
Fine antique Persian Bakhtiari rug, circa 1910 in excellent condition. Measures: 2'3" x 3'7".
Beautiful handmade Persian Bakhtiari rug is in excellent condition with naturals dye. The Bakhtiari tribe, based in Chahar Mahal and Bakhtiari, is well-known for their rugs and weaving. They have been weaving rugs exported around the globe since the early 19th century.
The wagireh or sampler is perhaps the most enigmatic of carpets. Made as a template or pattern for the carpet design and production of larger rugs, they are generally small pieces the size of a scatter rug or mat.
The tribal weavers in Malayer were often Turkish, and they employed the Turkish knot. The Gourde is a symmetrical knot, as opposed to the asymmetrical knot of many traditionally Persian creations. Additionally, antique Malayer rugs regularly enjoy a low cut pile. Weavers trimmed the pile in order to enhance the appearance of the design. In addition to a broad range of design and color, these rugs were designed technically to enhance the artistry of the woven design.
This rug is in excellent condition with high pile throughout the rug, cleaned and no stained, the ends and bindings of the rug are intact as original and there has not been any repairs. There are no tears, breaks or holes.
The materials are from vegetable dyes wool pile over cotton foundation. The pattern is floral in deco style.
This wonderful Art Deco carpet was made in China, circa 1910s or 1920s. Walter Nichols was great American rug producer (the Art Deco rugs which he did not originate them) in Tientsin.
This wonderful Art Deco carpet was made in China, circa 1910s or 1920s. Walter Nichols was great American rug producer (the Art Deco rugs which he did not originate them) in Tientsin. The rugs made of wool and silk with bold vibrant colors and the pattern are pictorial scenes and trees, birds, clouds, mountains, dragons, butterfly and flowers. The production of Art Deco rugs started from 1910s-1950s and mostly with western influence.
