Antique Persian Mohajeran Sarouk, c-1910, the rug has very high density of knotting and it is made of fine manchester wool.
The floral design of the rug has a pleasant appeal because the field is field is very open.
The combination of colors are very appealing.
Sarouk, a small village and its neighboring villages in northwestern Iran are the source of large numbers rugs imported into the United States. The Sarouk carpet production came into existence around 1880 specifically for the European and North American markets.
Nain rugs are constructed with Persian knot and typically have between 300 and 700 knots per inch,usually are with very high quality wool, clipped short, and silk is often used as highlighting for detail in the design. Nains utilize the Shah Abbas design and make use of flowing design such as flowers and tendrils.
The most famous and influential Nain masterweaver is Habibian and Reza Jafari Naini.
The rug has a harmonious design. Each symbol is very distinctive and refers to a specific aspect of life. The lay out provide a felling of inclusion. Regardless of where the viewer start he can easily migrate to the next symbol or just remain with last one. the design is uncommon for Feraghan sarouk and showing tree of life, riches and peace.
Sarouk carpets get their name from an obscure village in Persia, located twenty miles north of Arak (formerly Sultanabad).
Depict with bids of happiness the peacock.
Kirman was a very important antique rug weaving centre dating from the Golden Age of Persian culture under the Safavid dynasty in the 16th century, on a par with Tabriz and Kashan in esteem. The color palette of Laver Kirman antique Persian rugs is unusually soft and delicate with a European grace. The weavers had access to the prized and extremely expensive cochineal dye which yielded the rich Renaissance blue-reds found in antique Kirman carpets, rather than the rust red found in other antique Persian rugs.
Azerbaijan cargo bag or Mafrash - Bedding Bags , the front, back and side panels woven in horizontal bands, the center of repeating blue, red and ivory hooked octagonal, within two geometric motif secondary borders.
Mafrash have been made in the largest numbers by Shahsevan tribal people and other groups in NW Iran and across the border in Azerbaijan. Others were made in Georgia and Armenia. A majority are intricately woven soumak; others are slit-tapestry, sometimes with narrow contrasting soumak bands.
The designs involve some repeat pattern, or diaper, the herāti, in which a diamond lattice pattern peeps through a tangle of blossoms and leaves or through intricate versions of the boteh, a leaf with curling, The rug is prized for his fine, delicate design and his distinctive, weaving technique. display a precise, crisp somewhat geometric drawing that corresponds to the precision of the weave. Colors tend to be varied and rich, but soft as well.
