A typical Navajo rug has approximately 30 wefts to the linear inch. A Two Grey Hills from Toadlena average about 45. The finer pieces frequently have upwards of 80. When a textile has 80 or more wefts per inch, it is considered a tapestry, not a rug. The most famous weaver of these textiles was Daisy Taugelchee (1909-1990), who wove upwards of 115 wefts per inch, which created the most finely woven Navajo tapestries anywhere.
The weavers preferred to use natural wool from their sheep rather than the commercially produced wool used by other Navajo weavers.
A typical Navajo rug has approximately 30 wefts to the linear inch. The finer pieces frequently have upwards of 80. When a textile has 80 or more wefts per inch, it is considered a tapestry, not a rug. The most famous weaver of these textiles was Daisy Taugelchee (1909-1990), who wove upwards of 115 wefts per inch, which created the most finely woven Navajo tapestries anywhere.
The weavers preferred to use natural wool from their sheep rather than the commercially produced wool used by other Navajo weavers.
The production of Hooked rugs began in the 1840s. Measures: 3.3" x 4.9". The materials consisted of linen, flax, hemp, and eventually imported Indian jute. The most common design found in the earliest rugs was floral, expanding to include scenes and even an images of peoples’ pets. Hooked rugs have a variable pile, depending upon the lengths of yarn used, and the designs are increasingly complex. These rugs are flat on the bottom and not reversible. Hand made by housewives and local craft makers, American hooked rugs are folksy works of art that are functional too.
Ecuadorian rugs and textiles have existed in the Andean Region since Pre-Columbian times. Upon the arrival of the Spanish in the 15th century, the rug industry in the region rapidly expanded. Due to this increased demand, the Spanish colonizers began producing large textile workshops in the highlands. This was the beginning of large-scale carpet production in the Andes. Significantly widespread incorporation of traditional folklore and motifs particular to Ecuador into rug production.
The material probably, made from Llama wool fibers (South American camel), is woven with unique technique, designs and drawings which are taken from Asian and Middle East kilims. These kilims also used as coverlets .
From point of quality view, Lama’s fibers are finer and tinier than sheep wools . They are not smeared with any kind of wool fat (lanolin-existing animal fat on the sheep skins).
The technique in Peruvian Kilims is using pairs and parallel warps and weft . Its designs and drawings are created by weaving the colored woofs between cream colored wraps.
