Produced south of the city of Arak by Armenians in Persia, Lilihan rugs are known for their design. Traditionally designed with a curvilinear lattice with traditional floral motifs these rugs also feature geometric designs. The primary characteristic of Lilihan rugs is the abundant use of pink although khaki and brown ornament the salamander background. Made with a long pile, these rugs are often mid-sized and favored by American tastes. The visually stunning Lilihan rug is a favourite due to its durability, longer pile, and vibrant colors.
Tabriz carpets are distinguished by their excellent weave and by their remarkable adherence to the classical traditions of Persian rug design. The city of Tabriz was the earliest capital of the Safavid dynasty. One of the most important figures in Tabriz rug making was the master weaver Haji Jalili and best known today for his incredible and unique approach to rug-making and his preference for distinctive color palettes and design elements. Haji Jalili is especially known for mixing lighter colors, such as pinks, golds and greys into the design of his rugs.
One of the top high end Persian carpet maker.
The source of this important provenance has been in the village of Sarouk. North of Arak (formerly Sultanabad). Sarouks are known to be of high quality. The pile is usually higher than the average Persian rug and therefore Sarouks are rather heavy and solid rugs, the wool being used is high quality durable wool. "Mohajeran" or "Mahajiran" is the name of a village West of Arak.
Soumak is a tapestry technique of weaving strong and decorative textiles used as rugs and domestic bags. Baks used for bedding are known as Soumak Mafrash. Soumak is a type of flat-weave, somewhat resembling but stronger and thicker than Kilim, with a smooth front face and a ragged back; where Kilim is smooth both sides. Soumak lacks the slits characteristic of Kilim, as it is usually woven with supplementary weft threads as continuous supports.
The technique involves wrapping colored weft threads over and under the warp threads, adding strength and embroidery-like pattern.
Remarkable fine antique Persian Senneh Malayer galley size carpet, circa 1900 in excellent condition.
The tribal weavers in Malayer were often Turkish, and they employed the Turkish knot. The Gourde is a symmetrical knot, as opposed to the asymmetrical knot of many traditionally Persian creations. Additionally, antique Malayer rugs regularly enjoy a low cut pile. Weavers trimmed the pile in order to enhance the appearance of the design. In addition to a broad range of design and color, these rugs were designed technically to enhance the artistry of the woven design.
Sarouks also called Sarouks are double-wefted, heavier carpets with a higher knot count than rug from the village of Sultanabad. Fields are often blue or ivory and designs typically feature either large medallions or representations of trees and birds
The blue field woven with flowering fan palmettes extending to a central floral spray and flower-filled urns within rust flowering palmette and vine border by blue and ivory guard borders. The source of this important provenance has been in the village of Sarouk. North of Arak (formerly Sultanabad). Sarouks are known to be of high quality. The pile is usually higher than the average Persian rug and therefore Sarouks are rather heavy and solid rugs, the wool being used is high quality durable wool. "Mohajeran" or "Mahajeran" is the name of a village West of Arak.
Large size antique Persian Serapi rug, Persia, circa late 19th century. This remarkable and artistic antique rug, showcases an ornate, multicolored central design. At the heart of the antique Persian Heriz Serapi rug, a many-petaled flower is surrounded by a twelve-pointed stellar shape in light and dark blue. Angular stylized flowers stud the navy form and are echoed across the red medallion that encases it. Four ornaments decorate the corners of the medallion, and floral adornments nestle within each tip. A white field, brimming with botanical decorations, extends the medallion’s shape.
