Feraghans were made between the 1870s-1913 from a region north of the town of Arak, produced for the Persian aristocracy. They are single wefted, long and narrow or room-sized carpets, typically with an all-over herati design or floral and curling leaf motifs. Feraghan-Sarouks, also called Sarouks, are double-wefted, heavier carpets with a higher knot count than village Sultanabad. Fields are often blue or ivory and designs typically feature either large medallions or representations of trees and birds.
Made in Persia, circa 1920s, in perfect condition.
The source of this important provenance has been in the village of Sarouk. North of Arak (formerly Sultanabad). Sarouks are known to be of high quality. The pile is usually higher than the average Persian rug and therefore Sarouks are rather heavy and solid rugs, the wool being used is high quality durable wool. "Mohajeran" or "Mahajiran" is the name of a village west of Arak.
lustrous wool Persian Mohajeran Sarouk.
The source of this important provenance has been in the village of Sarouk. North of Arak (formerly Sultanabad). Sarouks are known to be of high quality. The pile is usually higher than the average Persian rug and therefore Sarouks are rather heavy and solid rugs, the wool being used is high quality durable wool. "Mohajeran" or "Mahajiran" is the name of a village West of Arak.
Sarouk, a small village and its neighboring villages in northwestern Iran are the source of large numbers rugs imported into the United States. The Sarouk carpet production came into existence around 1880 specifically for the European and North American markets. Before 1920s the Sarouk design was similar to that of the rug weaving centers of Ferahan and Tabriz. Most Sarouk rugs followed a very distinctive design and it depended on floral sprays and bouquets. Mohajeran refers to another village where rugs are produced
Bakhtiari rugs and carpets are one of the few types and styles of antique rugs that encompasses nomadic tribal as well as urban antique Persian rug design. Many Persian Bakhtiari rugs are in fact tribal pieces that rely upon a repertoire of abstract geometric and animal motives. But Bakhtiari weavers are also acclaimed for their ability to produce sophisticated medallion allover, and garden designs of classical Persian inspiration, with an added vitality and boldness
Precise drawing applied to highly abstract or stylized geometric patterns, using a rich and varied palette.
Soumaks are flat woven rugs. Their technique is related to that of Kilims, but it is somewhat more complex.
It is more durable as floor covering. As opposed to Kilim technique which consists of compacted weft facing simply running over and under the vertical wraps, Soumak weave runs the yarns around the warps in a serpentine pattern, over two, back one, over two back one, and so forth.
The design large polygonal medallions, often in the shape of diamonds or stars.
The production of Hooked rugs began in the 1840s. Measures: 3.3" x 4.9". The materials consisted of linen, flax, hemp, and eventually imported Indian jute. The most common design found in the earliest rugs was floral, expanding to include scenes and even an images of peoples’ pets. Hooked rugs have a variable pile, depending upon the lengths of yarn used, and the designs are increasingly complex. These rugs are flat on the bottom and not reversible. Hand made by housewives and local craft makers, American hooked rugs are folksy works of art that are functional too.
This wonderful Art Deco carpet was made in China, circa 1920s. Walter Nichols was great American rug producer (the Art Deco rugs which he did not originate them) in Tientsin. The rugs made of wool and silk with bold vibrant colors and the pattern are pictorial scenes and trees, birds, clouds, mountains, dragons, butterfly and flowers. The production of Art Deco rugs started from 1910s-1950s and mostly with western influence.
